Man With No Name Series

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Man With No Name SAA Holy Smoker Doc Holliday Thunderer Wyatt Earp Buntline Rooster Shooter. Hollywood Series Holy Smoker; The Holy Smoker was made famous in the great Russell Crowe western “3:10 to Yuma”. Golden modz store. It comes with the gold plated sterling silver cross inlayed on the right side of the grip.

(On DVD, January 2018) The culmination of the Man-with-no-name trilogy is spectacular, grandiose and a bit too much. While the original film clocked in at 90 minutes, The Good the Bad and the Ugly takes thirty minutes before even introducing its three main characters. Painting with a far more ambitious brush, this instalment tackles war drama and a much grander scale, but somewhat confusingly goes back in time for a prequel. But who cares when Clint Eastwood is still iconic as the nameless “Good” protagonist, while Lee van Cleef still steals the show as the outright “Bad” protagonist, with Eli Wallach’s “Ugly” wildcard bouncing between the two.

It’s the apotheosis of the Spaghetti Western genre, especially when Errico Morrcone’s iconic wah-wah-waaa theme kicks in. At the same time, it does feel like a lot. It’s fun to watch, but a certain ennui sets in when it becomes obvious that the film will not hurry from one set piece to another.

Writer/director Sergio Leone’s style is a Leone-ish as it gets here, with careful editing and close-ups doing much of the work in creating suspense. An expansive cap to a remarkable trilogy, The Good the Bad and the Ugly doesn’t leave viewers hungering for more. (On DVD, December 2017) The best thing about For a Few Dollars More in following up A Fistful of Dollars is adding Lee van Cleef as a foil to Clint Eastwood’s Man with no Name.

Eastwood is terrific, of course, but van Cleef is just as effective in his own way, adding tension and even more spectacular machismo to this sequel (the sequence in which they duel over a hat is quite good). The budget also seems more generous, allowing for a more fully realized version of a Western shot in Spain by an Italian crew. Sergio Leone’s direction remains just as effective, but seem more polished than in the previous film. It helps that the script is somewhat more complex than the previous film, allowing for more than a simple stranger-comes-to-town paradigm. The climax works well, and the watch motif adds another layer to the film.

Add to that Ennio Morricone’s score and you’ve got a strong follow-up to the original western, and a stepping stone to The Good, The Bad and the Ugly. (On DVD, December 2017) Iconism doesn’t get any starker than seeing Clint Eastwood anchor this Sergio Leone Spaghetti Western in A Fistful of Dollars. As “The Man With No Name” walks into town to drive an archetypical plot, this is as stripped-down a western as you can find. There’s only the laconic hero, villains to be vanquished and innocents to be protected. A measly budget led to a laser-like focus on the film’s core strength, bolstered by Leone’s impeccably sense of style and Eastwood’s star-making performance. It certainly works as an exercise in machismo, explaining its enduring popularity even today. Numerous set-pieces help develop Eastwood’s legend as much as his character, including an improbable but strong climax featuring bulletproof armour.

Leone’s sense of direction is distinctive even without much of a budget at his disposal, grand landscape shots eventually leading to expressive close-ups that have now passed into parody. Add to that Ennio Morricone’s now-familiar score (although without the “wah-wah-waaah” flourish, only present in the third film in the series) and you’ve got the making of a genre classic.

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It’s rough and crude, but focused and strong.

How do series work?To create a series or add a work to it, go to a 'work' page. The 'Common Knowledge' section now includes a 'Series' field. Enter the name of the series to add the book to it.Works can belong to more than one series. In some cases, as with, disagreements about order necessitate the creation of.Tip: If the series has an order, add a number or other descriptor in parenthesis after the series title (eg., 'Chronicles of Prydain (book 1)'). By default, it sorts by the number, or alphabetically if there is no number. If you want to force a particular order, use the character to divide the number and the descriptor. So, '(0 prequel)' sorts by 0 under the label 'prequel.'

Man With No Name Movies

What isn't a series?Series was designed to cover groups of books generally understood as such (see ). Like many concepts in the book world, 'series' is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere 'lists' of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators).Also avoid publisher series, unless the publisher has a true monopoly over the 'works' in question. So, the Dummies guides are a series of works.

Man With No Name Comic

But the Loeb Classical Library is a series of editions, not of works.